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Loose Autumn Moans (2003)

by fiffdimension

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Dave Edwards
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Dave Edwards All acoustic, stringed ensemble, analogue recordings. w/ Mike Kingston, Simon Sweetman, and Sam Prebble (aka Bond Street Bridge)
/
1.
Summer Skin 06:19
Moaning cried goodbye for the room of false flowers in sickness The light from the window a silver on red mass of tears Just like a factory when you are a tree Images bent, broken-backed men walking at a crawl I'm not at all sad I just cried through the fire & my eye was once and forever trapped in patterns Geometry freezing life into tapestry The rope is cut, and down something falls This is what the world needs, some nice place to while away the days Dive into desktops & snorkel away You're a bullfighting matador, the perfect weapon James Bond had you over for breakfast & I remember what you said to him: 'this will not last, this will not last, there'll always be room for them & suffering' ('take in poor children to feed' say the 19th century boarding schools, but they secretly eat them) Paris finds her mocking grace, anger shoulder to the nylon Time finds her still alone in the car's iron dance Open ruptured sweetness, and the content was better than this dragon cloud clothing firm minded hand with wives & paper kings all better in crayon Climbing ivy for the band, translucent stare, the body better than shiny Shiny hair, faithful pet out in the sun borderline wine Golden sweet beauty laying promises here in worth of our lives Upon your feathers laughing, cold running hands sick with summer skin, the river is blushing Almost a smile could freeze hello fondlings relate to so much light No-one ever knows of the desert cold, a face that won't accept me Time will change except me, no room for suppositions when time is fine and lives in Paris The second viola king in midnight orchestra symphonic form Unbound persuasion lend us guilty of all that was said & all that was done in unending summer where none can be zero & this is a word insufficient to capture the season Ask for it all & it is soon to fall, a season pathetic once then & for all The summer is captured, but not in these words
2.
"That's a nice chord innit? A very nice chord." "I liked it a lot; it was the worst chord I've ever seen." Leave aside the poet-strangled engineer ear-sprain nothing get paid for until it gets dark over the ocean shine down the sun, into the kingdom where I plan to vent forth unreason, & here I lay guilt A black claw of diamond cloud perfume dissolves me into background noise; high above the street I sail, dusty mountains, ravens wail; the face crawls, full of seashells & vermin; bring in beauty, it's your duty - I'm too shy to even say hi; we need to enact a paradigm shift, so we get really stoned & we get really pissed; visionaries exchange pleasantaries, cartoon characters sing the blues; the city's blinkered blinking enclose our loud albino progress; out all night for an all-out night, wasted in the wings with baby-food music, I am dirty & mocking & I stumble at chance, I am sly superficial with a sideways glance, grey haired with freedom & information blindness. The wild running hunger was begged & profound to a hunger of stone-envious wood running progress, mental gnome church gotten home re-gotten captured, re-growing sideburns, a tunnel vision fits, glances that waver; camera pointed at the sun, crappy turntable blasting out beats - & we have questions to ask regarding its value - ahead smiling face prostrated in shower, another drunken figure kneeling abased before toilet & 15-year-old girl passed out on the floor; we took to the t.v with a baseball bat, & went into town with a shopping trolley & liquor... but we never met Elvis, not even that night.
3.
(As the great poet Woody Guthrie said, 'this machine kills fascists' - this song has nothing to do with Lord of the Rings; it is entitled 'the Hurricane Wrangle (a butcher review)'... they'd been up one night watching too many Lilian Gish movies, and realised that this was the queen of the silent broad screen) Neon mumble turnaround making you go in naked as your brain, strangely profound, is coping not to fake it; the unthinkable happened, with perfect precision, chains swinging down through the door The ladies in waiting ungratefully unveiled, and to for the perfect place of a nun; loose in the country Antarctic I take, in no way beating on the same drum Still not ready for the wedding circus ring - you're a communist & I'm transcribing your conspiracy; a barrel-house king was keeping the phrase, & the man wants her to give him her days A knowing retort could be praise for our chatter, & seekingly for the sickly cold old sun; barren regained into punishment antiques - you're a blackguard, & I'm a poltroon Your eyes in fire & are knowingly obscene & your head winds up sitting in a mausoleum you were alone in outdated brimstone & fire & your sins are not seven, but are knowingly beginned all night Lying deadly with no comment, the hero bursts upon the scene - but he tries to leave unnoticed when the opponent takes the queen; quit in yoke to the power of a runaway car; equate here & now with desire gets you not very far You were taken wanderer, there among clouds, your hand branded names, & it wakes up & smiles; seek silent groan when you're hollering loud, & your feet have not walked a thousand miles A level where beginners with their mutilated faces can speak & be alone, wherein they're constantly invaders, & I speak of time & training & of climbing up the levels, cancel proceedings, waking up in smiles Each evening I sit at home & complain; each evening a punishment adored; each evening & watch the autumn wane; the best of evenings, growing more & more bored Your eyes in fire & are knowlingly obscene & your head winds up sitting in a mausoleum you were alone in outdated brimstone & fire & your sins were not seven, but knowingly begin sometimes Truth parades its pantheon, & is constantly outdated, & a man walks the pavement, not thinking he will make it; the judgement of justice thinking suspicious; if he thinks he ties me up he will never admit it Soon the list of time outdates the reason why it's born, awkwardly chained to reason & malice, a time for the teasing makes a banned awful season who eats up unthinkable words retaining matches Jeffrey fucked up, but he keeps on going strong; inwardly creeping in, gleefully unknown; I think of sarcasm, & it seemed so profound to be stylishly & gracefully bound Soon the list of time outdates the reason why it's born, awkwardly chained to reason & malice; you await the reason, & for a while retain the memory of the crown of thorns Your eyes in panic & in pleasure are obscene while your head winds up sitting in the movie screen; you were alone in back-dated billowing doubt, & your sins are not seven but are knowingly outstretched once more Stop it! Enough already! This is a jazz-poetry show, man! So a little less of the jazz, & more of the poetry...
4.
1 2 3, 1 2 3 I dissolve into background noise, frequenting carnival bars smog buried distance, & it made me forgetful, & my own pen makes me start telling lies I'm hangin' out with the guys, welcoming rhythmic asides I'd say 'take home my hand, let us be tragic friends' but I'd once again forgotten to talk The house requires a chairman, kind mannered lady; silk wolverine cry & as to the meeting, the method, the requisite corner, the killing of swarm in its own metal canvas, laugh conserve leisure, open wound & still breathing - from hungover night & then drunken morning under the covers, back into working, swallowed the houses with internet access, sheet metal cutter clasped in his hand I hate what I used to enjoy, I'm becoming the clown of thorns I can speak the language, but I can't make it dance There's a need to recharge my soul The truth is negated by song; displacing emotional wrong The cynic is a basilisk, & I know I'm full of shit But, as usual, nothing is wrong ...so knowing they had to get out of there at some stage - not later but then & now - which was then come & gone, off to the front the side the back that caused air to waken, vent its forth a broken promise kept, come answering gladly against the wall curtain raised adventure happenings under the table, weary weight of curse, distance savour worsen capture said 'somewhere along the line the ice was broken', northern cry release I find that I'm losing my voice; abstain from mystical sights The hypocrite sits with his obsessive gifts that will work endless shifts in the shafts of his mind/mine A strange kind of happiness, lacking in joy Full stop. Count off. Exact refusal tie. Measurement patterns, bringing forth progress, his own unsteady warming, mounting bannister, spiral staircase; it is the world that is hunger;, it is hurt, torn & cumbersome; perseverance was mild; silver in platitudes, a red foreign sun asleep in its patterns; slumber was comical, dreams held it open, the sun was improving, we captured that night. Soon there is movement, inside there are people; consigned them in consecutive autumns, where they had to reveal how the plot has now turned.
5.
O Henry, falling leaves & branches talk a worried sad refrain, your eyes half tilt, your brain half mast to tie the fond anonymous bond beyond your aching shelter lying walls that fall to fall & raise the days, museum haze O Henry for the season, falling autumn rains/reigns its claim to fame, your head a handsome sleeping sound, your ship not sleeping in the sand when run aground, you stall tall story disco library, white with dust & wiped & fussed; open even over time does not mind to go in blind O Henry, unforeseen your odds are even now to me I don't see how you never lied, you never cried; your melancholic putrefaction changed its dirt & you were left unhurt - & you went waltzing through the door, to be O Henry ending nevermore, nevermore

about

Wellington, Aotearoa/New Zealand- originally released on cassette in 2003 - all acoustic, no overdubs, recorded on analogue equipment.

& features a string section,
of cello by Mike Kingston
and violin by Sam Prebble (bondstreetbridge.bandcamp.com).

Structurally mirroring the progression from summer - through autumn, harvest time - the downhill jog of darkening days and the removal of dead layers - and concludes with an extended live version of 'O Henry Ending' by The Winter (www.fiffdimension.com/the-winter).

The original cassette included solo tracks recorded the previous year - these are now available separately as fiffdimension.bandcamp.com/album/after-the-filmshoot-2002

www.youtube.com/playlist?list=PLtbrBpNjlOHMU6mbiFL4MMjcyuO8J1MQV

credits

released October 9, 2003

Dave Edwards - acoustic guitar, harmonica, lyrics, vocal
Sam Prebble - violin (1-4)
Mike Kingston - cello
Simon Sweetman - percussion (3,5)

Wellington, NZ, 2003

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fiffdimension Featherston, New Zealand

Outsider music from Aotearoa NZ and beyond, by Dave Edwards and collaborators (from 1856 to 2024).

Spans acoustic & electric noise, rock, folk, spoken word, postpunk, free jazz, gamelan, lo fi, electronica, & ethnomusicology.

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