After Maths & Sciences

by fiffdimension

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about

After Maths & Sciences

An Australian novel for the ear, recorded in Melbourne VIC, and Syndey and Gosford NSW in 2005-2006.

youtube=http://www.youtube.com/watch?v=duDk1hz3dn4&list=PL22B4B68B2C61027F


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fiffdimension.co.nz
2006 | Reviewed by Simon Sweetman

After Maths & Sciences was recorded by Dave Black (some may know him as David A. Edwards, and if you don’t, then check his website, or the compilation of earlier recordings,Gleefully Unknown 1997-2005) in two parts: From May-July of 2005 in Melbourne, during the winter. And then from December of last year to January of 2006 in New South Wales; summer.

The album is a travel-document; a response to relocation, a series of sound-sketches and sonic-manipulations designed to confront (and possibly unhinge) the listener; a reflection of several journeys – an aural diary of events from time spent in Australia, evoking the mood of the place (geographically) and the mood of the time (politically).San Shimla’s occasional guitar, Francesca Mountfort’s cello and Cylvi Manthyng’s percussion and shakuhachi (a Japanese woodwind) support Dave Black.

As Dave Edwards he has explored fuzzy-punk, free-jazz, spoken word, alternative-folk and demented pop, primarily using guitar, harmonica and voice; sometimes with a band or a backing cast at least – often as a solo artist(e). Here, as Dave Black, the palette is broadened: banjo, drums and the use of a laptop computer (triggering sounds via Fruityloops, Audacity and Audition programs) add extra textures. During 2005 Edwards studied journalism, his use of dictaphone and laptop on this recording see him reaching outside of music for influences to use in new contexts.

The collages that form the pieces on After Maths & Sciences are modern-day field recordings, contemporary anxieties are explored (a typically frank Australian is overheard at a train station lamenting public transport in the wake of the London bombings). The juxtaposition of banjo (an instrument prominent in the work of Doc Boggs, Earl Scruggs and many of the earliest artists featured on the iconic U.S. Library Of Congress field recordings made by Alan Lomax and Harry Smith) helps to recontextualise the snapshots of modern-day Australia. And the name that Edwards has chosen, Dave Black, as well as having relevance within his family history, becomes a nice reference to the passing of The Man In Black (Johnny Cash) and various (possibly mythic) country-playing banjo pickers. For this is “country” music, though perhaps not as we know it. Birdsong, despite computer filtering, sits pure alongside the country’s archaic (near-redneck) political views. Abrasive bursts of white-noise are channelled via a throbbing electro pulse (Kraftwerk goes on safari sabbatical?).

There are New Zealand artists working in this medium (Montano, Seht, Audible 3) combining concrete poetry, field recordings, found-sounds and electro-acoustic manipulations to sit as aural wallpaper, but Dave Black’s debut release (and a re-birth, if you like, for David Edwards) is an actual document – as much a post-modern piece of Performance Journalism as it is a static batch of “songs” or tracks, After Maths & Sciences is a pleasing challenge of an album. It lives up to the cliché of presenting something new with each listen.

credits

released June 22, 2005

Music by
Dave Black - acoustic guitar, banjo, field recordings, laptop, harmonica, drums
Cylvi Manthyng - phat beatz on '22-6-2005', shakuhachi on 'morning in gosford'
Mike Kingston - acoustic guitar on 'o henry ending' and 'wealth & riches (mt eliza)'
Francesca Mountfort - cello on 'o henry ending'
& various Australians - various sounds and vocals

tags

license

all rights reserved
Track Name: 22-6-2005
Dave Black - banjo & laptop
Cylvi Manthyng - phat beatz

Melbourne, Australia, 2005
Track Name: In Gippsland
Dave Black - banjo & vocal

Melbourne, Australia, 2005

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Vietnam veteran coughing through blood
finding sex on the internet in Gippsland

Tiny rural towns with smog-stacks rising
& giant metal teeth clawing up the ground in Gippsland

Cold meat pies & melted icecreams
& fat sausage rolls & oily fried chicken in Gippsland

Motel beds with vomit-stained sheets
& cold water showers & all night drinking in Gippsland

Conservative voters & rich landowners
& poor white trash & Chinese students in Gippsland

Elderly women with permed blue hair
& matchstick arms watering the garden in Gippsland

Retirement villages of gullible elders
watching TV & spying on each other in Gippsland

Irish salesmen charming their way
from bullshit to bullshit & pay to more pay in Gippsland

Brown coal burning to generate power
& cause global warming & fuck up the planet in Gippsland

A pink red sun from bushfires burning
& ash is floating down from above in Gippsland

Bars on the window & blinds drawn down
to block out the sun that shines all day in Gippsland
Track Name: Moreland Station, Coburg
Dave Black - dictaphone, field recordings, acoustic guitar, harmonica
Mike Kingston - cello
Track Name: Repent
Dave Black - acoustic guitar & vocal

Melbourne, Australia, 2005

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...remember: decades if not years if not months if not weekends ago, the huddled cold shivering in-tent.

The words fell through: 'I repent for I am militant'.